Montez reveals the atelier as a kind of archive of lived experience. He navigates the atelier as a living map, reading and re-reading its corners, its shadows, and its thresholds. This is not merely physical exploration: it is also a relational investigation of how bodies, gestures, and memories linger in a space. Montez does not simply wander—he dialogues: with walls, with objects, with emptiness.
His prospection draws out trajectories of past interactions and potential futures, connecting presence and absence. In doing so, he also foregrounds the atelier’s dual identity as both a container and a performer: a stage and a vessel, a silent witness and an active participant.
